2017 was a heck of a year! I did over 220 dates from Coast to Coast, as well as dates in Toronto, Calgary, Chile, Russia, the UK, France, Sweden… you get the idea. I’ll close it out with a show in Occidental, CA at the Union Hotel with blues legend, songwriter and piano man Nick Gravenites. Below I’ll highlight some recent happenings and what’s coming right up.
THE NOVEMBER WEST COAST MEETS CHICAGO CHILE TOUR w Aki Kumar was a blast! We did 4 dates, two workshops, a quick recording session, and a sold out show at the Puerto Montt Jazz Festival. I can’t wait to go back!
On Dec 8, I had a rare night off so I went to see Elvin Bishop’s Big Fun Trio, featuring Bob Welsh and Willie Jordan, at the Fox Theatre in Redwood City, CA. Elvin graciously invited me to play a couple of songs, pictured above, at the end of the night. Elvin Bishop just knocks my socks off and joining the Big Fun Trio onstage was the cherry on top of a great year.
The OTHER cherry on top was getting to record on 12.11 with Charlie Musselwhite and the gang pictured above: from right, Kid Andersen, up-and-coming Salt Lake City harpman Tony Holiday, Aki Kumar, guitarist Landon Stone, Charlie, and myself. This is for an upcoming project produced by Tony Holiday featuring music recorded on front porches across America. Click here to hear the song we did there. I have known Charlie for a few years now but never thought I’d be lucky enough to record with him. Watch this page for further news on this project.
Critics and DJs are loving “NEOPRENE FEDORA”, my latest CD, which is currently available on CD Baby, Bluebeat Music and Bear Family, and at my shows. It’s 70+ minutes of music, and is chock full of original tunes and exciting guest appearances. It was recorded at Greaseland studios, and features Kid Andersen on guitar, keyboards, baritone guitar and bass; Aki Kumar on harp, percussion and vocals; Bob Welsh on guitar and piano; June Core and Stephen Dougherty on drums; Vance Ehlers and Chris Matheos on bass; Nancy Wright on sax; Billy Wilson on rub board, and Steve Willis on accordion. Here are some recent reviews:
Just in from Making a Scene: Click here.
From The Cascade Blues Association: Click here.
From Reflections in Blue by Bill Wilson: Click here.
And this from Chicago Blues Guide: http://chicagobluesguide.com/reviews/cd-reviews/rockin-johnny-cd/rockin-johnny-neoprene-fedora-page.html
This one’s from Roots Time in Belgium: http://rootstime.be/CD%20REVIEUW/2017/JULI1/CD17.html I got a great live review from my recent show in BMan’s Blues Report, click here.
Click here for a great live review from my recent 50 Dates in 17 States tour featuring great live clips.
I’m excited to be part of this new CD “HOWLIN’ AT GREASELAND”, released 9.1. Here’s the story of how this unique recording came to be: THE PLACE: Guitarist and recording engineer Kid Andersen started Greaseland Music Services in San Jose CA as a humble home studio to record and rehearse with his musician friends. In the last five years, Greaseland has grown to be a locus of exciting blues activity that is known to blues lovers the world over, with a client list including the best in the business such as Chris Cain, Elvin Bishop and more– that’s where I did my last two CDs! The consistent stream of exciting and notable recordings from Greasleand garnered Kid Andersen a Keeping the Blues Alive Award in 2016 from the Blues Foundation. THE MUSICIANS: Over the last few years, a core group of loosely affiliated Bay artists became a sort of blues “wrecking crew” — regular players for sessions which seem to go on practically every week, year-round. These players have an easy camaraderie that comes from working with each other consistently in various combinations, and many of them are featured on “Howlin'”: Alabama Mike, Rick Estrin, Terry Hanck, Aki Kumar, myself, Johnny Cat Soubrand, Vance Ehlers, long-time Robert Cray pianist Jimmy Pugh, John Blues Boyd, D’Mar Martin and many others. Each of the participants has always been inspired by the gripping voice and haunting music of the Chicago blues legend Howlin’ Wolf. To collaborate with this group and bring the music and spirit of Howlin’ Wolf back to life and back on disk, producer Stephanie Tice brought in two legendary blues singers, Taildragger and Henry Gray. These two artists have deep personal and professional connections to Howlin’ Wolf. Taildragger started singing in the early 70s under Wolf’s strict mentorship, and has since performed much of Wolf’s material in addition to his own. Henry Gray played piano on many of Wolf’s most famous recordings and at 92, he’s considered a national treasure.